Art of Americas Wing at the Museum of Fine Arts Boston Foster Partners

Art of Americas Wing at the Museum of Fine Arts, Boston / Foster + Partners

© Nigel Young, Foster + Parners © Nigel Young, Foster + Parners © Nigel Young, Foster + Parners © Nigel Young, Foster + Parners + 34

  • Expanse Area of this architecture project Area : 193325 m²
  • Twelvemonth Completion year of this architecture projection Year : 2010
  • Photographs
  • Manufacturers Brands with products used in this compages project

Text clarification provided by the architects. The Museum of Fine Arts, Boston (MFA) recently unveiled their new Art of Americas Fly designed by Foster + Partners in collaboration with CBT/Childs Bertman Tseckares of Boston. The carefully designed wing, contributed to the restored and augmented visitors experience, that reinstates the original formal axis of the Musuem and its relationship to the linear Back Bay Fens park designed by Frederick Police Olmsted in 1877. The new wing hosts 53 new galleries including the Art of the Americas collections, and consolidates the Museum's five great collections into a more cohesive and understandable whole.

Norman Foster commented that, "The MFA is more than than a corking cultural institution – information technology is the catalyst for the rejuvenation of an entire neighbourhood in Boston. Over fourth dimension the Museum had lost its connection to the Dorsum Bay Fens and the beautiful landscape of Frederick Law Olmsted's 'Emerald Necklace'. In restoring Lowell's original plan and in opening up and reasserting the one thousand Fenway entrance, we accept rediscovered this link. At the same fourth dimension, nosotros have fatigued the mural deep into the centre of the building and along Huntington Avenue. The result is a more legible museum that volition create new connections between the park, the Museum and the local community."

More details nearly the new Art of Americas Wing subsequently the break.

© Nigel Young, Foster + Parners
© Nigel Immature, Foster + Parners

Foster + Partners Projection Squad: Norman Foster, Spencer de Grey, Michael Jones, Kate Irish potato, John Small, William Castagna, Benedicte Artault, Robin Blanchard, Jan Coghlan, Chris Connell, Aaron Davis, Gennaro di Dato, James Edwards, Dagmar Eisenach, Morgan Fleming, Kristin Fox, Herbert Gsottbauer, Anthony Guma, Sean Hanna, Rie Haslov, Judith Kernt, Ismael Juan Khan, Kohelika Kohli, Abel Maciel, Peter Matcham, Pablo Menendez Paz, Aidan Monaghan, Yat Lun Ng, Mathis Osterhage, Silvia Paredes, Carol Patterson, Michael Pelken, Michael Richter, Katherine Ridley, Il Hoon Roh, Ingrid Sölken, Kinna Stallard, Matthew Stokes, Diego Suarez, Jane Tiley, Alexis Williams, Oliver Wong, Richard Yates

Founded in 1870, the Museum of Fine Arts is based on a Beaux-Arts plan devised past the architect Guy Lowell. Restoring the logic of the original scheme, the building's central axis has been reasserted with the reintroduction of the chief entrance to the south, on Huntington Avenue on the Avenue of the Arts, and the reopening of that to the north, the Country Street Corporation Fenway Entrance. At the heart of this axis is a new information eye, where visitors begin their tour.

© Nigel Young, Foster + Parners
© Nigel Young, Foster + Parners

Alongside is a freestanding glazed structure, which has been inserted betwixt the edifice's ii chief pavilions to create the Art of the Americas Wing. Arranged over four floors, the new fly significantly increases the Museum'southward exhibition space, enabling some 5,000 works from the drove to exist displayed. The project is the first time Foster + Partners has comprehensively designed a consummate gallery wing, including installations and fit-out – the programme for the 53 galleries was the result of close collaboration with the Museum's curators and conservators. Where the central edifice of the wing meets the axis of the main building, information technology partly encloses an existing courtyard in glass. This creates spaces for visitors, a café, special events and access to other collections with a new gallery for special exhibitions below.

Designed to be energy efficient, the courtyard is naturally lit and the galleries have land-of-the-art climate control. The gallery spaces are configured to allow art to be displayed with a more obvious sense of clarity and light. Surrounding the museum, new landscaping is designed to strengthen links with the Back Bay Fens, laid out by Olmsted, builder of New York'southward Key Park. The landscape pattern follows Olmsted's Romantic tradition of winding paths and informal planting to draw the greenery of the Fens into the edifice. In item, the Fens mural is fatigued into the center of the Museum, encapsulating the new Courtyard and American Wing.

© Nigel Young, Foster + Parners
© Nigel Immature, Foster + Parners

Spencer de Gray, Head of Design at Foster + Partners, commented: "This has been ane of the most fascinating projects. We accept sought to combine the constraints of history with a new intervention that will testify off the Museum's extraordinary collection of American art in a manner that volition excite, entrance and educate. We have designed a major new Wing, inside and out, with 53 new galleries to complement the Museum'southward other four collections which are conspicuously articulated along the original principal axis. This re-addresses the residuum of the Museum - at its center the old courtyard is enclosed in drinking glass to create new links and connections."

Consultant List for Boston Museum of Fine Arts

Location to exist used only as a reference. It could indicate city/state simply not exact address.

Cite: "Art of Americas Wing at the Museum of Fine Arts, Boston / Foster + Partners" 28 Nov 2010. ArchDaily. Accessed . <https://www.archdaily.com/91885/fine art-of-americas-wing-at-the-museum-of-fine-arts-boston-foster-partners> ISSN 0719-8884

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Source: https://www.archdaily.com/91885/art-of-americas-wing-at-the-museum-of-fine-arts-boston-foster-partners

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